Stereo
Experimental recording disc
| 1 - Band | |
| 2 - Piano Concerto | |
| 3 - Musical Theater | |
| 4 - Musical Theater | |
| 5 - Band | |
| 6 - Choral | |
| 7 - Gospel (T Minus5) | |
| 8 - Orchestral | |
| 9 - Piano Concerto | |
| 10 - Orchestral | |
| 11 - Orchestral | |
| 12 - Musical Theater | |
| 13 - Band | |
| 14 - Band and Choir | |
| 15 - String Practice | |
| 16 - String Practice | |
| 17 - String Practice | |
| 18 - String Practice | |
| 19 - String Practice | |
| 20 - String Practice | |
| 21 - String Practice | |
| 22 - String Practice | |
| 23 - String Practice | |
| 24 - String Practice | |
| 25 - String Practice | |
| 26 - String Practice | |
| 27 - String Practice | |
| 28 - String Practice |
Most baffles absorb sound from mid- to high-range frequencies; lower frequencies are more difficult to absorb. Here, the unique shapes of the IsoMike baffles are advantageous. As lower frequencies flow around the heart- or egg-shaped baffles, they are scattered, effectively dissipating their energy.
Eliminating line-of-sight between the microphones seems to lower some fidelity robbing cancellations, this reveals a layer of extreme detail and a sense of increased sensitivity. As such we took great care, therefore, to reduce the noise level within the auditorium during the recordings.